A Swing and a Myth

‘A Swing and a Myth’ — illustration copyright Andrew Miller

The man lay stretched out on the jutting rock, bronze chains dangling from his wrists. In the distance, the sinking island glowed magma-red and deep orange in the sunset. Wreckage floated by. There was a soft whoosh and some slight scrabbling. The man opened one eye. There was a bird – quite a large bird, all things considered, regal, even – with a very sharp beak.

‘Don’t even think about it,’ he said, wearily.

The bird swivelled in the direction of sinking island and plumes of volcanic smoke and steam, and then back at the man, apparently the heroic type, clothes in rags, shirt half gone – practically mythic, really. ‘Well,’ said the bird, ‘you look like you might have done something. And look at it this way, no way off this rock, no ships for miles – you could look at it as a kindness, really.’

‘Thanks, all the same, but I prefer a liver and let live approach.’

The bird sniffed. ‘Suit yourself. Here, are you sure you didn’t annoy any semi-divine beings or anything?’

‘Not the kind you’re thinking of,’ said the man, with assurance.

The bird sighed. ‘Just my luck.’

‘I know how you feel,’ said the man, smiling ruefully.

‘Big place, this was. We’re not going to get in any trouble are we? You know, land slipping beneath the waves – I mean we’re talking, geographically speaking, in continents.’

The man pointed to some sails on the far horizon. ‘If anyone’s going to complain, they’re the last of them. Lucky they didn’t find me.’ He considered the size of the bird.

‘Forget it,’ said the bird, ‘I don’t give lifts. What do I look like, a taxi service?’

‘Oh, it’s just there was this girl …’

‘Ah,’ said the bird sagely. He could tell tragic parting when he saw it. You saw this sort of thing a surprising lot in storied times. He shuffled awkwardly. ‘Still,’ he said, trying to think how to put it delicately, ‘I can’t help but noticing that you are here and she, not casting any aspersions,’ he added hastily, ‘and not to put too fine a point on it, is not.’ He expected the man to get agitated at this point. Probably not good for the liver, but you’ve got to be human sometimes, haven’t you?

Instead, he just sighed, and closed his eyes. With the impressive amount of heat whoofing over from all the lava, all that seawater ought to have dried off by now, but still, some trailed down his cheek. Ah, well, not long now, probably …

He took off with a whuffle of feathers.

‘There you are!’

The man opened his eyes. Clambering up the rocks was the most beautiful girl in the world. To him, anyway. ‘So this is what heaven looks like …’ he said, as his eyes drifted shut again.

Someone shook him quite hard, considering. ‘I’ve been looking everywhere for you.’ He was aware of being held on to so tightly he thought his remaining ribs would break. He opened his eyes again. A face looked down at his. Then again, maybe heaven could wait …

As the bird rode the air currents into the sunset, he looked back with a small smile. Okay, so sometimes you may be left a bit peckish, but you felt warm inside. That had to count for something, didn’t it?

The Heart of It

‘Always in My Heart‘ — illustration copyright Andrew Miller

Listen to that sound. That is the sound of a heart breaking. See the look on his face. See the pieces glimmer as they fall – some big, some small, some bright, some dull – some sharp …

Some of those pieces will cut you right down to the soul. Try not to watch them slip through his fingers.  

It has been said there is a sound to Ultimate Suffering. What you might not realise, is that there can be layers within layers to that sound. Just like there are kinds of light beyond normal vision, but maybe, if you know what love is, you can tell. Perhaps you can see it in his eyes.

Legends abound with the power of true pure love – now imagine that power flying free through the cracks, like arcs of lightning, or sunlight straight from the source. Something that can seem quite ordinary on the outside, gentle honest love, caring that runs deep, could light the night sky. See now, some of the stars are quite pretty.

Maybe we don’t realise what we take so lightly, like playing pass the parcel with an atom bomb. And then, of course, the music stops …

One soul slips away, the other remains, blinking and confused. Sometimes parting, sometimes passing, of all the loves that sustain us, the most deeply felt may surprise us. We may not have even realised we were dancing until the dance is over, and the face, the voice, the person and the presence isn’t there anymore. And we wish we knew why, or even what happened.

Of all the cares of man, the hardest may be to love and lose and live.

Tee-Time, Part 2: The Missing Links

A follow-on to my short story (vignette, really) Tea Time, both originally published on Ricochet.com:

They say in space nobody can hear you scream. It seems an odd thing to drop into conversation. They also say that in the boundless stars there are places that would give cosmographers and quantum physicists everywhere conniption fits simply by existing.

One of those stood below: It looked a little like a golf course, a grassy fairway in the stars, surrounded by strange trees rooted into the fabric of the cosmos where, of all things, figures that looked suspiciously like knights in armour (some of them wearing what looked suspiciously like plus-fours) were clanking around the fairway crying ‘Fore!’ You’ve got to have some sympathy for the poor academic physicists at times like this. This sort of thing wasn’t supposed to happen.

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Tee-Time, Part 1: Time for Tea

Another recent short story, originally published as ‘Tea Time’ over at Ricochet.com (I almost wish I’d thought to call this ‘Tee-Time’ to begin with (for reasons that will become apparent when you see the sequels), but que sera sera …

Things aren’t made the way they used to be. Take time: time used to have a much nicer quality than it does today. And light: when was the last time you got proper light? And something seemed to have happened to all the spaces, like they’d been … sort of shrunk down and actual space taken out of them … So it really wasn’t his fault when he stopped time.

He was trying to build time machine, okay? Never mind why. He had his reasons. He hadn’t meant to rip a hole in the fabric of causality. He just wanted to go back and make things right. Instead of just having them seem to go more and more wrong. And now there was a gaping lapis-edged void twinkling with stars and infinite blackness facing him from across the workshop, and he couldn’t get to the kettle or the sink. Never travel through time without a cup of tea – he thought he’d read that somewhere. Or else the thought had occurred to him in one of those times in the wee small hours, when the world is all your own. The other thing, of course, was that there was … like a “time ghost” blocking his way.

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Once Upon a Spinning-Wheel (Part 5): The Limey and the Coconut

I lay back in the firelight and tried not to be sick. Which wasn’t easy. Nessa had conspired to get me to a “medicine woman” – which seemed to be a polite way of saying “witch doctress”. When I’d tried to point this out, Nessa had shushed me with a well-placed elbow to the stomach. It doesn’t pay to offend the only person with a knowledge of magic and potions for miles around.

The medicine woman wore a carved painted mask with red curving lips and big stylised uptilted eyes. It looked disturbingly feminine. And the way she looked at me through the slitted eyeholes was plain disconcerting. Hungry, almost … She swayed about the place like someone who was used to not hobbling around in baggy robes and stirring potions over smoky indoor fires, and I couldn’t work out why that was bothering me.

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Hokey Croaky

One froggy evening, there was a bit of a to-do … (Originally written for and published over at Ricochet.com):

Hokey Croaky:

Ripples spread out across the surface of the lagoon, sparkling in the starlight, as the girl surfaced from under the water. Trailing behind her, there bobbed up a coloured glass lantern, sealed around the edges with a grey, clayey substance. Well, this dress has probably seen its last dance, she thought as she swam for the shore. The lantern came floating along with her. 

In the distance, coloured lights glowed and strange music played out across the night. The dance goes on, as they say. Carefully, she lifted the lantern out of the water and hauled herself up onto the rocks. There was a kind of dull tap on the glass. A frog peered out at her. It was a bit hard to see through the coloured glass, but something about its eyes and the way it looked at her was somehow … human. She scraped away some of the clay with her nails and twisted. ‘Alright, buddy,’ she said, her voice coming out as a hoarse whisper, ‘you want to explain what’s going on?’

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Sun-Struck

Myths and legends come to life in this short story, originally written for Ricochet.com:

Sun-Struck:

He woke to the sound of distant music, a gentle sea breeze washing over him from somewhere. He heard the creak of timbers around him. Where am I this time, he found himself thinking. He seemed to be in a low wooden room, decorated with carvings, but otherwise empty. The carvings were . . . strange: Mermaids singing, maps like something out of an old storybook, and smiling young ladies with . . . banjos? He shook his head, walking out onto the main deck. As his eyes got used to the bright sunlight, he saw that he wasn’t alone.

There was a man — weathered and dressed in rags, his long white beard trailing down over the deck — tied to the mast and fast asleep. The ship around him apparently wasn’t in great shape. There were areas of broken woodwork, as if some huge monster had smashed through them. Through one of these he could see the ship’s wheel, lashed into position. Off to one side, there was an island on the horizon. He was no sailor, but as best he could tell, the ship was going round in circles. ‘Well?’ said a voice as old as the sea. ‘Don’t just stand there — untie me, confound it! I want to see what that music’s all about!’

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Lightbulb Moment

A wee vignette, originally written for Ricochet.com:

Lightbulb Moment:

We were sitting on wooden crates. They must have been sculling around in this old cargo hold for decades. Longer. It was an elephants’ graveyard of discarded technology, goods that had long since ceased being traded (at least in this corner of the universe). We pried open the lid on one, carefully. Inside, packed among musty, but still-dry, straw and shredded newspaper was a lamp. ‘Hey, this is solid brass,’ said Maya.

There were even some smaller crates inside. I opened one up. Inside were disintegrating pasteboard boxes.

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Witch Way

A magical cat-and-dog story (sort of) — originally written for and published at Ricochet.com:

Witch Way:

It was raining, cats and dogs (well, a witch’s cat and a sort-of werewolf with bones for brains – she really shouldn’t say that, even in the privacy of her own thoughts, but bless him it was true) were taking cover, and she still had to finish this blasted potion. Never, never, never, the dripping young woman thought to herself, brew a potion from a recipe book that actually specifies it be made ‘on ae righte blasted heathe on ye first true dark midnight after th’ full moone, and thatte at the height of ae summer storme’.

But here she was, soaked to the skin and getting more and more drenched by the moment, frantically stirring a bubbling cauldron with a long hazel stick (‘exactlie five foote in lengthe’), as the wind blew against her trailing black cloak and threatened to take her with it. She’d already seen her hat go whistling away over the horizon. ‘I tried to tell you,’ said a voice from under a pair of wet, flattened-down ears somewhere in the undergrowth.

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Time Enough

An ending and a beginning in this short, originally written for and published over at Ricochet.com:

Time Enough:

The air shimmered and a young woman stumbled forward out of what a moment before had been thin air. As she got back up, dusting red dirt off her jeans, the setting sun glinted off the scythe-shaped silver pin on her lapel. She looked around, running a hand through her hair. Floating by the crossroads, looking up at a warped old signpost, was the figure of a man, glowing semi-translucent and slightly blue. She looked around again. No body. That was odd for a start.

He turned at the sound of her walking towards him. She saw the confusion and the pain – felt them flash through her, as if they were her own – saw the glistening of tears. She kept going, taking in details as she went. Young. About her age. Features? Hard to tell when people were like this. And pain. Worlds and worlds of pain. ‘Hey there, honey,’ she said, as gently as possible, extending a hand to him. ‘My name’s Clancy. You … look a little lost …’ She paused a moment. ‘I know this place down the road a ways – they do these great chocolate malts. You look like you could use one … My treat?’

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